Where memory becomes home: Canadian-Armenian artist Marita Bardakjian's 'Traces of Distance' captivates Yerevan

TORONTOHYE—Memory transforms into a sanctuary of return for anyone who knows the bittersweet pull of displacement. In her solo exhibition 'Traces of Distance,' Canadian-Armenian artist Marita Bardakjian anchored her work in this delicate terrain of longing and love, recently completing a celebrated presentation at Yerevan's A1 Art Space.

Set inside the intimate gallery space at 1 Abovyan Street with free admission to the public, 'Traces of Distance' invited viewers into a contemplative sanctuary where absence was transformed into presence. Through a restrained, intentional color palette and emotionally expressive abstract forms, the exhibition featured a stunning and meaningful array of paintings that varied widely in size, style, and media. Each painting explored the elusive nature of home and the invisible threads that continue to bind us to the people and places we carry within us. Drawing from personal experiences of displacement, her journeys across continents, and the resilient bonds of family, Bardakjian captured a universal diaspora experience—the feeling of being suspended between worlds while remaining deeply rooted in one's cultural heritage.

While her art now bridges landscapes across the globe, Bardakjian holds strong, enduring ties to the Canadian-Armenian community. Her husband, Raffi, was born and raised in Toronto, establishing deep roots with the city's vibrant Armenian community. Before making the life-changing decision to repatriate to Armenia together, Bardakjian also lived in Montreal, where she was an active and dedicated presence in the local Armenian community. This rich Canadian connection added a profound layer of meaning as she unveiled her latest collection in the Armenian capital on July 4. Originally slated to close on July 10, the exhibition's run was extended through July 15 due to popular demand.

Traces of Distance/

Traces of Distance/

At the core of the exhibition was Bardakjian's philosophy on movement and adaptability. "We move like water, carrying fragments of where we have been, whispers of those we miss, and traces of the paths yet to come," she reflected when describing the overarching theme of the collection. This fluidity was palpable across the gallery floor, echoed in her artist's statement: "Nothing in life is stable, and everything is possible. We are moving entities with water flowing within us, and so my art must be like water flowing within." Whether viewing her more intimate, small-scale works or her expansive, striking canvases, visitors could trace a continuous flow of emotion that captured the grief of separation alongside the quiet, enduring joy of belonging and returning home.

Born in Lebanon in 1995, Bardakjian has been immersed in creativity from her earliest days. At just 14, her exceptional talent earned her a place at the prestigious Fabriano Academy of Art. She went on to major in Fine Arts at the Lebanese University in Beirut, where she developed both her technical mastery and a deep commitment to art as a vehicle for community healing.

During her time in Beirut, Bardakjian spearheaded meaningful initiatives that extended far beyond traditional gallery walls, including a collaboration with a collective of fellow painters to create a vibrant public mural dedicated to autistic children in Lebanon, which was later donated to the local municipality. As an artist and teacher, she has consistently used her fine arts background to bring important community projects to life—a spirit of civic engagement she carried with her from Beirut to Montreal, and now to Yerevan.

Over the years, Bardakjian's rigorous training and insatiable curiosity have allowed her to master a diverse array of artistic methods. While 'Traces of Distance' focused exclusively on paintings in various styles and media, she is equally adept at pastels, watercolour, and oil, and even has rare craftsmanship in glass and wood carving. Beyond her abstract work, she has developed a passion for one-line art creations that focus on the beauty, elegance, and emotional depth of the female body, using each stroke of her brush to tell an intimate story of women overcoming their struggles.

By stripping away superficial ornament and relying on raw, expressive abstraction in her Yerevan exhibition, Bardakjian left her audience in awe, reminding them that even across immense distances and borders, the threads of identity, memory, and love remain unbroken. ֍

Artist Marita Bardakjian (Photo courtesy of A1 Art Space/Marita Bardakjian)


This article was published in Torontohye's Aug. 2026 (#228) issue. Photos courtesy of A1 Art Space/Marita Bardakjian.

Թորոնթոհայ/Torontohye

Թորոնթոհայ ամսագիրը թորոնթոհայութեան ձայնն է՝ 2005-էն ի վեր/ Torontohye is the voice of Toronto Armenians since 2005.

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